![]() ![]() So, doing this new album, I remember something was really special about it.Īlso, I remember being in a different country when I got a call from the A&R, Rob Stevenson. And, I have been touching his music for years. He has Louis Bell which is his engineer/producer. You know, I heard - and I have been working with Post for a long time now - he has a great team around him. Creatively, how was it collaborating towards two of the Grammy’s highest honors? Thus, the ten thousand hours I used to look at, is what, thirty thousand now? Īlongside Post Malone, you were Grammy nominated for “record of the year” with “rockstar” and “album of the year” for beerbongs & bentleys. But what we are trying to do is create that emotion that the artist once had. I feel it is more of a creative field with technological tools. That is kind of interesting because I am dealing with what most people perceive as a technical field. It is always about how I can whether it is a song that makes you cry, dance, sing-along, or whatever that true emotion is: (a) I am trying not to fuck it up, and (b), I am just trying to make sure it sounds like what they envisioned. is never about my sound or what I can bring to the table. I try to understand what their vision is. Whenever they come, I try getting into their mind, whether that means talking to them, or even the music speak for itself. The artist or producer comes to me to work on their baby. I honestly take it from a very basic approach. ![]() You know, I do not see things that I don’t think about when I work on mixing. ![]() Describe your hustle towards becoming the man with one hundred Top 10 albums on the Billboard 200. What your avid listeners may not know is that your journey began at Enterprise Studios as a runner. Īt present, you are known as an eight-time GRAMMY-award winning mixing engineer. Also, when I say music saved my life I truly believe that. Music was definitely the way to avoid certain crowds. I would not say I grew up in the tough streets of LA because I am sure there is always tougher. I started playing drums as I saw my family members do, around 12. Music was a huge part of our culture and household. My mom sang and played in a band with my uncles. I got into music because there was always music around with my family. Come on!” That was definitely the American dream. For me, it was not even about the American dream. ![]()
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